![]() The Stoclet House has great integrity in its external architecture, its interior architecture and decoration, its furniture, and its garden. Created in Brussels, a key location for Art Nouveau, it exercised a considerable influence on modernism in architecture and on the birth of Art Deco. It is a remarkably well conserved symbol of constructive and aesthetic modernity in the west at the start of the 20th century.Ĭriterion (ii): Drawing on the values of the Vienna Secession and its many artists, including Koloman Moser and Gustav Klimt, the Stoclet House was recognised from the beginning as one of the most representative and refined works of this school. A veritable icon of the birth of modernism and its quest for values, its state of preservation and conservation are remarkable.Ĭriterion (i): Created under the supervision of the architect and interior designer Josef Hoffmann, the Stoclet House is a masterpiece of the creative genius of the Vienna Secession through its aesthetic and conceptual programme of Gesamtkunstwerk, through its architectural vocabulary, through its originality, and through the exceptional quality of its decoration, of its furniture, of its works of art and of its garden. It bears witness to a monument of outstanding aesthetic quality and richness, intended as an ideal expression of the arts. It bears witness to the influence of the Vienna Secession, and the dissemination of its ideas in Europe at the start of the 20th century. It heralded Art Deco and the Modern Movement in architecture. From its creation the House inspired many architects in Belgium and other countries. They worked under the guidance of Hoffmann to achieve a Gesamtkunstwerk (‘total work of art’), which is expressed simultaneously in every dimension – interior and exterior architecture, decoration, furniture, functional objects, and the gardens and their flower beds. The Stoclet House decoration was the work of a very large number of artists from the Wiener Werkstätte, including Koloman Moser, Gustav Klimt, Frantz Metzner, Richard Luksch, and Michael Powolny. Ever since its creation the Stoclet House has been and remains one of the most consummate and emblematic realisations of this artistic movement, characterising the aesthetic research and renewal of architecture and decoration in the west at the start of the 20th century. The Vienna Secession movement bears witness to a profound conceptual and stylistic renewal of Art Nouveau. It was designed and built in Brussels from 1905 to 1911 by one of the founders of the movement, the Austrian architect Josef Hoffmann, of whose work it is the masterpiece. The Stoclet House is an outstanding testimony to the creative genius of the Wiener Werkstätte. ![]() Su estado de conservación es excepcional, ya que se han preservado intactas la mayoría de las instalaciones y del mobiliario originales. Este edificio es un testimonio de la renovación artística de la arquitectura europea. El Palacio Stoclet es una de las edificaciones más logradas y homogéneas de la Secesión de Viena, cuenta con obras de Koloman Moser y Gustav Klimt, y encarna la ambición de crear la “obra de arte total” (Gesamtkunstwerk), en la que arquitectura, escultura, pintura y artes decorativas se integran en una misma obra. La finalización en 1911 de este palacio y su jardín, caracterizados por su geometría austera, fue un momento decisivo en la historia del Art Nouveau que anunciaba ya la arquitectura del Art Déco y el Movimiento Modernista. Le Palais témoigne du renouveau artistique de l'architecture européenne et présente un haut niveau d'intégrité dans ses dimensions d'architecture extérieure, d'architecture et de décoration intérieures, avec des meubles et objets originaux.ĭescription is available under license CC-BY-SA IGO 3.0Įn 1905, cuando Adolphe Stoclet, banquero y coleccionista de obras de arte, encargó la construcción de este edificio a Josef Hoffmann, uno de los arquitectos más destacados del movimiento denominado Secesión de Viena, no le impuso condiciones estéticas ni financieras de ningún tipo. Il abrite des œuvres de Koloman Moser et de Gustav Klimt, liées à la conception du Gesamtkunstwerk (architecture, sculpture, peinture et arts décoratifs s'intègrent dans une même œuvre). ![]() Le Palais Stoclet est une des réalisations les plus abouties de la Sécession viennoise. Avec leur géométrisme épuré, le palais et le jardin (terminés en 1911) marquent un changement radical au sein de l'Art nouveau, changement qui annonce l'Art déco et le mouvement moderniste en architecture. Ce dernier a pu travailler sans limite financière ou esthétique. Le Palais a été conçu en 1905 à la demande du banquier et collectionneur Adolphe Stoclet par l'un des chefs de file du mouvement artistique de la Sécession viennoise, l'architecte Josef Hoffman.
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